Dirk Petzold. Come To Nothing.
Sophie Bray - Dark Skies. Pencil on paper, 50 x 66 cm (2010)
(via darksilenceinsuburbia)
Mesmerise the moon (Luna Lovegood)
(via darksilenceinsuburbia)
Motoi Yamamoto - FOREST OF BEYOND. salt (2011)
Solo Exhibition To the White Forest, The Hakone Open-Air Museum, Kanagawa, Japan
Photo : Makoto Morisawa
(via darksilenceinsuburbia)
“I had admired the perfect forms of my cottagers — their grace, beauty, and delicate complexions: but how was I terrified, when I viewed myself in a transparent pool! At first I started back, unable to believe that it was indeed I who was reflected in the mirror; and when I became fully convinced that I was in reality the monster that I am, I was filled with the bitterest sensations of despondence and mortification.”
Reece Jones. Assembly, 2006. Charcoal on paper with polymer varnish, 138 x 170 cm.






Beyond gorgeous
Born in New York in 1916, Eyvind Earle began his prolific career at the age of ten when his father, Ferdinand Earle, gave him a challenging choice: read 50 pages of a book or paint a picture every day. Earle choose both.
Carousels by Pep Ventosa
(Source: kari-shma, via tenementhalls)